迷幻少女(nǚ )遇(👷)著過(🆓)氣公安老頭(tóu )，未必是貓捉老鼠累鬥累(🕸)，也可以是從老(lǎo )(🎺)前(🔧)輩身上(shàng )(🆖)學會(🐉)認識自(🍖)己。阿 P 為追阿初欠(qiàn )她的債，偶然(🏇)與阿初的(🚤)外(🖲)公相遇，兩個生活(huó )態度(dù )南轅北轍(zhé )的人，就(🥄)是這(zhè )樣在(🚥)荒謬的處(chù )境(🎿)中(🎫)相互學習(🍮)。阿P在當中看見年青一(yī )(😱)代的無奈：十六歲的迷(🚣)途青(qīng )春、愛(ài )情的無助、軟(❔)性毒品的蠶(cán )食、(🥎)面(miàn )對(duì )父母失敗(🔝)的(✋)婚姻、自己(🤸)渾(🌞)噩的前途....阿初無故失蹤，又是否(fǒu )因抵受(shòu )(⛳)不了(💠)同樣殘酷的青(qīng )春？世情(🚴)像玻璃，有時看(🗳)得(🤘)透，有時不，相同(tóng )的只是：兩(liǎng )者同樣(yàng )冰冷易碎。　　The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.　　Source 25th HKIFF (2001)